A mother of five children whose passion entailed searching for fish and marine creatures in local tidepools. An outdoorsman with an 8th grade education who from an early age collected and learned about birds and mammals in the San Diego back country. An engineer who became the world’s expert on rattlesnakes. What did this disparate group of people have in common? They are all San Diego citizen scientists who played a role in the early days of the Museum. Read more.
With the concept of participatory science gaining traction globally, the San Diego Natural History Museum (The Nat) is spearheading a local effort to encourage San Diegans to opt outside and partake in the 2018 City Nature Challenge. The event is a multi-city competition to see which region can record the most observations of their local flora and fauna over a 4-day period. Read more.
During the 1800s, women had very limited occupational options available to them. Although Kate Sessions was able to graduate from the University of California, Berkeley with a science degree, her employment opportunities as a woman in science were very restricted. However, she never let that stop her driving ambition. Read more.
On February 20, 2018, The Nat hosted the inaugural State of Biodiversity Symposium. The event is designed to be a forum for environmentalists, land managers, and the public to explore the current status of regional conservation and research. Daylong sessions focused on emerging threats to biodiversity, genomics and conservation, biodiversity and landscape, and conservation stories of success and struggle. Read more.
Behind exhibit walls at the San Diego Natural History Museum (also known as The Nat), scientists and volunteers work diligently throughout various departments to keep an eye on what is happening in our region. And, recently, I had a chance to tour a small part of the Museum’s massive specimen collections with Dr. Michael Wall, Vice President of Research and Public Programs. It was a cool experience, to say the least. Read more.
In February 2017, the Museum received word that a manuscript written by staff paleontologists and outside colleagues about the discovery of mastodon fossils showing signs of human activity had been accepted for publication in the scientific journal Nature. As expected, the April 27 publication and announcement garnered widespread media coverage and stirred dialog within the scientific community. Some have been supportive and consider the hypothesis compelling and one that should not be ruled out. Others have dismissed it as questionable science or outlined why various interpretations of evidence are wrong. Read more.
The San Diego Natural History Museum (The Nat) is providing leadership on regional biodiversity and conservation by hosting a trio of science-based events this spring: the State of Biodiversity Symposium and Nat Talk, the City Nature Challenge 2018: San Diego, and the 10th anniversary Balboa Park BioBlitz. Combined, these three initiatives will convene conservation practitioners and educate the public on the biodiversity of San Diego County and the Baja California Peninsula. Read more.
Guest blogger Austin John Jones, a participant in the Social Stories Spectrum Project, writes about his experience in this program and shares his perceptive on the different faces of autism. Read more.
Did you know the diversity of mammals in San Diego County is greater than any other county in the United States? It’s true—and now, thanks to a new book authored and edited by staff at the San Diego Natural History Museum, along with several other authors and more than 40 contributors, amateur naturalists and professional biologists have a complete reference guide for San Diego fauna. Read more.
Even if you don’t know the name Edward Lear, you probably know his most famous poem, The Owl and the Pussy-cat. His first collection of poems, A Book of Nonsense—first published in 1846 and re-released in 1861—shot him to fame in his native England as an author of charming verse and playful limericks. But Lear’s success surprised him as he always considered himself not a poet, but an artist—in particular, a scientific illustrator. Read more.